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“ … full of deep satires and the most usefulHogarth has ever produced ”Hogarth, William (1697 London 1764). Credulity, Superstition and Fanaticism. A Medley. The highly alert parishioners of the Methodists – in contrast to the Sleeping Congregation of the High Church in their divine service. Engraving. Inscribed: Design’d and Engrav’d by Wm. Hogarth. / Publish’d as the Act directs March ye 15th 1762., otherwise as before and below. 43.6 x 33.3 cm.
“ Believe not every Spirit ; but try the Spirits whether they are of God : Illustration Hogarth Catalogue Zurich, 1983, 90. – Impression from the plate reworked by the royal engraver James Heath (1757 London 1834) about 1822 on buff paper. – Extremely wide-margined. Hogarth’s late work from 1762, i. a. with the figure of the rabbit woman to whom he already dedicated an engraving in 1726 as one of his early works and “who he thus found valuable enough at the end of his life to bring her on again on suitable occasion”. Otherwise Lichtenberg starts his reflections on this so extraordinarily detail-rich sheet with the words
To conclude finally with the remark
Offer no. 7,784 / EUR 176. (c. US$ 283.) + shipping
– – – The same in engraving by Ernst Ludwig Riepenhausen (1765 Göttingen 1840, university engraver there). Inscribed: 68 / W. Hogarth inv. pinx. / ER. f. 25.5 x 20.5 cm. – Impression on especially buff paper, supposedly about 1850. – Riepenhausen’s engravings after Hogarth (“very estimable”, Nagler) belong to his chief work and not least for their side-correctness they are partly even preferred to Hogarth’s own engravings.
– – – The same by Riepenhausen as before, but on slightly toned minor paper.
– – – The same in lithography. (1833/36.) Inscribed: 66. / Aberglaube und Fanatismus. 29.6 x 18.5 cm. – Extensive subtext à la Lichtenberg in German.
– – – The same in steel engraving about 1840. 15.9 x 12.8 cm. – Title in German + English.
(Mrs. G. H., June 19, 2006) |