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The Journaille – a (still) poor ClassHogarth, William (1697 London 1764). The distrest Poet. In domestic harmony with the housewife in the centre repairing the wardrobe, both disturbed though not surprised by the milk woman presenting a long and filled up record, now demanding payment. Engraving by Thomas Cook (c. 1744 – London 1818). 1797. Inscribed: Designed by W. Hogarth / Engraved by T. Cook / Published Octr1st.1797 by G. G. & J. Robinson Paternoster Row London. 36.5 x 41.5 cm.
which shall manifest itself sovereignly not even 30 years later (see John Wilkes Esqr. + The Times). – After the original of 1736, distinguished by the painting above the journalist on which Pope thrashes the poet Curll. Otherwise – contrary to all later Hogarth editions – in its original folio format. – With quatrain from Dunciad, Book 1.
– – – The same. Cook’s smaller repetition of 1806. Plate size 16.4 x 16.8 cm. – Also after the original version. – In the outer margins of the wide white paper margin somewhat time-stained.
– – – The same. Engraving by Carl Heinrich Rahl (Hoffenheim 1779 – Vienna 1843). (1818-23.) Inscribed. 21.7 x 26 cm. After the state of 1740, distinguished by the title and the painting showing “A View of the Gold Mines of Peru” instead of the thrashing scene. – In the upper image field weakly foxing.
– – – The same. Engraving by Ernst Ludwig Riepenhausen (1765 Göttingen 1840). Inscribed: W. Hogarth inv & pinx. 1740 / R. d & f. 21.5 x 26.2 cm. – Early toned impression, also after the state of 1740.
– – – The same. Engraving by Riepenhausen as before, but on especially strong paper, supposedly from about 1850.
– – – The same. Engraving by Riepenhausen as before, but on lightly toned minor paper.
– – – The same. Lithograph by F. Heintz. 1832. Inscribed. 21.5 x 23.4 cm. – After the state of 1740. – With comprehensive German subtext à la Lichtenberg.
– – – The same. Steel engraving. C. 1850. Inscribed. 13 x 15.3 cm. – Equally after the state of 1740.
(de heer P. E., 24. Januar 2008) |