|
right of revocation imprint William Hogarth catalogue 45 years fine arts & rare books catalogues
Manuscripts
cartography
Bibliophily Old Masters Drawings Prints XXth Century Law / Proclamations Views + Local History Miscellania: Books + Prints The AHA! event May 2008 animals, hunting & environment fishing + angling horses + riding Joseph Georg Wintter The Rugendas Family Index of Artists homepage e-mail
privacy terms & conditions |
The Wedding SerenadeHogarth, William (1697 London 1764). The Industrious Prentice out of his Time and Married to his Master’s Daughter. The guilds of London serenade the newly wed couple and the partner of now West + Goodchild. Engraving by Thomas Cook (c. 1744 – London 1818). Inscribed: Designed by Wm. Hogarth / Plate 6 / Engraved by T. Cook / Published by T. Cook. Islington; and G. G. & J. Robinsons. Pater-noster Row. February 1st. 1796. 30.2 x 36.5 cm.
Industry & Idleness VI. – Marvellous impression on buff paper and – contrary to all later Hogarth editions – in the original size. – Cook “made a name for himself as Hogarth engraver, too” (Thieme-Becker). – Weak waterstreak. The foxing of the wide papermargin also affecting the platemark. The backside foxing not penetrating the image.
(subtext of a lithograph). The master’s famous, most popular suite, showing by example of two apprentices in a weaving mill as one of the main branches of industry in his days the chances of their life as well as the temptations detrimental to their career : Calculated for the use & Instruction of youth (Hogarth in his Autobiographical Notes).
(Bachofen-Moser, William Hogarth in the Art Gallery Zurich, 1983, p. 98).
– – – – The same. 30.2 x 36.5 cm. – At the top trimmed to platemark for a few cm. Upper right restored tear. – At the back old possession note.
– – – The same in Hogarth’s own etching in an impression from the plate reworked by the royal engraver James Heath (1757 London 1834, “earned applause early”, Nagler) about 1822 (“Even these impressions became relatively rare today though”, Art Gallery Esslingen 1970; and Meyers Konv.-Lex., 4th ed., VIII [1888], 625: “A fine edition”). Inscribed: Design’d & Engrav’d by Wm. Hogarth. / Plate 6. / Publish’d according to Act of Parliament Sepbr. 30. 1747. 26.8 x 34.9 cm.
Illustration Hogarth Catalogue Zurich, 1983, 58. – On wide-margined buff paper.
– – – The same in Cook’s smaller repetition, but without verse and marginal emblems and with the series title as subtext. Inscribed: Pl. VI. / Hogarth pinxt. / T. Cook sculpt. / Published by Longman, Hurst, Rees, & Orme. Sepr. 1st. 1807. Subject size 13.7 x 16.9 cm. – Trimmed within the wide white platemark.
– – – The same in engraving by Ernst Ludwig Riepenhausen (1765 Göttingen 1840, university engraver there). Inscribed: 32. / W. Hogarth inv. & pinx. / Pl. 6. / Riepenhausen del & fec. 22.8 x 28.1 cm. – Impression on slightly toned minor paper. – Riepenhausen’s engravings after Hogarth (“very estimable”, Nagler) belong to his chief work and are partly even preferred to Hogarth’s own engravings.
– – – The same by Riepenhausen as before, but on especially buff paper, supposedly about 1850.
– – – The same in lithography. (1833/36.) Inscribed: 24. 21.5 x 15.6 cm. – Title – Der fleißige Lehrbursche ist losgesprochen und mit des Meisters Tochter verheirathet – and extensive subtext à la Lichtenberg in German.
– – – The same in steel engraving about 1840. 13 x 16 cm. – With title in German + English, but without verse and marginal emblems.
Further single sujets of the set available in several qualities.
(Mrs. D. H., June 17, 2002) |