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Thought since long :The Retort-Made Human from the Artificial WombHogarth, William (1697 London 1764). Hudibras beats Sidrophel and his man Whacum. Hudibras at the alchemist. The knight, an English Don Quixote, raising hell in a world strange to him, meeting a courageous magician and his frightened assistant. But also witnesses of the past and the future as there are a human skeleton from which an owl looks down, and a little human produced in a retort. Besides folios + reptiles nautical equipment as Jacob’s baton, quadrant, St. Barbara’s light, telescope, charts + globes. Engraving. (1726.) Inscribed: 8 / Wm. Hogarth Inven. et Sculp., otherwise as before + 4 6-lined stanzas as subtext. 27.5 x 35.8 cm.
HUDIBRAS VIII. – Nagler 10-8; Hogarth Catalog Zurich, 1983, ills. 8. – Impression on strong paper from the plate reworked by the royal engraver James Heath (1757 London 1834, “earned applause early”, Nagler) about 1822 (“Even these impressions became relatively rare today though”, Art Gallery Esslingen 1970; and Meyers Konv.-Lex., 4th ed., VIII [1888], 625: “A fine edition”). HUDIBRAS “ is a vulgarized (English) Don Quixote , a despiritualized Rabelais ” (Laaths, Geschichte der Weltliteratur, 1953, p. 375), a “;satiric scourge” (Meyers Konv.-Lex., 4th ed., III, 693/I) on the politically just sacked Puritanism and the best-known work of its creator esteemed by Charles II, SAMUEL BUTLER (Streensham, Worcestersh, 1612/13 – London 1680), as result of his impressions in the employ of Cromwell’s Colonel Sir Samuel Luke, “at which religious and political sects were about” (Meyers). Remaining incomplete the first two parts of the epic were published in 1663/64, a third one in 1678, then, joined, long-lived through the centuries. In three cantos each
(Margrit Bachofen-Moser in Hogarth Catalogue Zurich, 1983, pp. 25 ff. illustrating the large version in partly differing arrangement). The Hudibras set – Thieme-Becker judge – is “of decisive significance for Hogarth’s development. Here lies the key to the understanding of the satirist H. ” (Allgemeines Lexikon der Bildenden Künstler, vol. XVII, 1924, p. 300/II). And Austin Dobson in the Encyclopedia Britannica of 1911 :
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– – – The same. Engraving by Thomas Cook (c. 1744 – London 1818). Inscribed: Pl. VIII. / Hogarth pinxt. / HUDIBRAS. / T. Cook sculpt. / Published by Longman, Hurst, Rees, & Orme March 1st. 1808. Subject size 13.7 x 17.4 cm. Cook “made a name for himself as Hogarth engraver, too, whose complete work he … reproduced in engraving” (Thieme-Becker), maintaining in contrast to all later Hogarth editions in his first, earlier edition the original format. Several works not published by Hogarth himself had been engraved by Cook for the first time as he met with approval by a contemporary connoisseur as Maximilian Speck von Sternburg, too. – Here though present in Cook’s popular later, smaller version with the subtext being replaced by the series title. – Trimmed within the wide white platemark and in its outer parts somewhat foxing.
Further single sujets of the set available in several qualities.
(Mr. L. A. F., June 22, 2004) |