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Garrick is the GreatestHogarth, William (1697 London 1764). Fac Simile of the Proportions of Garrick and Quin. The two, both twice, outlined at the stadia rod, of which each of the outer double is marked with “a very short proportion” (Quin) and “a very tall proportion” resp. Within the autograph letter of Oct. 21, 1746. Engraved facsimile by Thomas Cook (c. 1744 – London 1818). Inscribed: From the Original in the Collection of J. P. Kemble Esqr. / T. Cook sc. / Published by Longmann, Hurst (quite pale), Rees, & Orme, Novr. 1st. 1808., title as before. 25 x 35 cm.
And left above of the address :
The latter paragraph referring to Hogarth’s mentioned painting of c. 1745, now in the Walker Art Gallery, Liverpool (Hogarth Catalogue of the Tate Gallery, 1971/72, 123 with ills.; “Portraiture and the theatre as a basis for history painting on the grand scale”). After this then the mentioned engraving, worked by Hogarth together with C. Grignon in July 1746 (Hogarth Catalogue Zurich, 1983, 73 with ills.; see no. 7,816 here). On Hogarth’s pride in the good payment for the painting expressed in the letter the Tate Catalogue says :
Very rare. – Cook “made a name for himself as Hogarth engraver, too” (Thieme-Becker). – Three vertical folds within the engraving, additionally right of the white platemark repeatedly sligthly pleated. If framed only limitedly perceptible. – The white upper margin weakliy brown striped and not absolutely fresh.
(Mr. P. v. d. W., June 26, 2003) |